"Silent Dialogue": Symbolist Exhibition by Daria de Vital Opens at the Museo Michetti Library in Francavilla al Mare
On May 28, the solo exhibition "Silent Dialogue" by Russian artist Daria de Vital opened at the Library of the Museo Michetti (Francavilla al Mare). The exhibition will run until June 5.
The opening was a great success: visitors showed a keen interest in the symbolic themes of the artworks and engaged in an active dialogue, asking the artist numerous questions.
Instead of the usual white walls, the space features shelves filled with books. The library hall perfectly accommodates the concept of displaying paintings against a backdrop of literature, emphasizing their symbolic content.
Daria's paintings do not lend themselves to a superficial glance; they are created in the style of symbolism and require careful "reading." In terms of their visual tone, Daria de Vital's works evoke the canvases of René Magritte. Each painting is a system of signs: the viewer gradually pieces together the meaning, like a puzzle. These are non-decorative paintings intended to develop a direct dialogue with the viewer, prompting reflection.
Right at the entrance, visitors are greeted by the composition "Italy Unmasked." At the center is a violin-woman, a nod to Italian fashion houses and the legacy of Stradivari, while the capital of a column unexpectedly transforms into spaghetti—a subtle irony targeting cultural stereotypes.
Next to it is a work dedicated to Abruzzo. The protagonist here is the masked character Frappiglia, a clever peasant who, according to local folklore, managed to outwit the Devil himself in an argument. He holds a tray showcasing the region's main attractions, and the entire scene unfolds surrounded by trabocchi, the sea, mountains, hills, and, of course, arrosticini. These pieces set the tone for the entire exhibition: light and ironic, yet rich in hidden meanings that the artist invites us to uncover, "reading" every detail like the page of a book.
Her works address timely and universally relatable themes: life and the choices we make, destiny, war as a tragedy of contemporary times, love, the past, and the future—everything that concerns each of us.
The paintings tell their own stories and, at times, pose uncomfortable questions. For instance, the artwork "Life" depicts waterfalls and people with different attitudes toward existence: some passively observe from afar, some try to steer their own destiny, and others throw themselves into the raging torrent. The canvas seems to ask the viewer: "And how do you relate to your life?"—a question that not everyone has the courage to ask themselves.
Simultaneously, the painting "Passion" explores different facets of attraction. At the center of the composition is a rose whose petals transform into musical instruments—a symbol of the love for music—while two hands intertwining in a burst of passion depict mutual human attraction. The level of tension is further emphasized by electrical wires.
The artist shared: "For now, I speak Italian poorly, so I invite you to communicate with my paintings—they have a lot to tell. Do you remember the last time you spoke with a painting? The 'Silent Dialogue' exhibition is an invitation to conversation."
According to the organizers' vision, Daria de Vital's paintings were presented in a dialogue with poetry. The event hosted the awards ceremony for the 5th Edition of the Abruzzese Dialect Poetry Prize "Nadia di Medio" – Francavilla al Mare. The President of the Prize is Luigi Cialfi, and the President of the Jury is Massimo Pasqualone.
It was Massimo Pasqualone who defined Daria de Vital as an "engaged artist," highlighting that she tackles a vast array of themes—from love and destiny to war and life—using a very powerful symbolism.
He added: "Daria uses very beautiful, very significant colors that immediately draw one into mystery, with references to history and symbols—not just of this society, but symbols of memory. Thus, she uses art to transmit its grand functions: to understand the great mystery of life... Poets try, artists try, musicians try, the theater tries. And I thank Daria immensely because she accepted this invitation to enrich this afternoon with a sort of union, a marriage between painting and poetry. Even though it is dialect poetry, it is poetry of the highest level for us, deeply important to us. Because the two arts are sisters: both painting and poetry are attached to the head and the heart—to the head because they demand a profound reasoning about the world, and to the heart because they give us so many emotions. And the emotions of painting will endure."